By Elizabeth Scala
Absent Narratives, Manuscript Textuality, and Literary constitution in past due Medieval England is a publication concerning the defining distinction among medieval and glossy tales. In chapters dedicated to the foremost writers of the overdue medieval period--Chaucer, Gower, the Gawain-poet and Malory--it provides after which analyzes a collection of designated and overlooked phenomena in medieval narrative, specifically the chronic visual appeal of lacking tales: tales implied, alluded to, or fragmented by means of a bigger narrative. faraway from being trivial digressions or passing curiosities, those "absent narratives" turn out vital to the best way those medieval works functionality and to why they've got affected readers specifically methods. regularly unseen, overlooked, or defined away by way of critics, absent narratives provide a worthy new method for analyzing medieval texts and the traditionally particular textual tradition during which they have been written.
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Extra resources for Absent narratives, manuscript textuality, and literary structure in late medieval England
Instead, this phenomenon is the product of textual forces that have become legible, or at least widely visible, at a particular moment in literary history. 30 Chaucer’s narrators are most obviously the period’s best example of this development. But as Burrow’s work on the Ricardian narrative personae of Gower, Langland, and the Gawain poet has shown, such sophistication is not limited to Chaucer’s works. The careful division in these texts between author and narrator, often created by the text’s relation or reference to a source, produces a speaker in each instance (and to varying degrees) self-conscious of the work he presents.
The use and adaptation of such tropes by fiction writers of the medieval period assert the control of a narrator in a story by announcing the subjects of discourse. As much as an absent narrative may appear as a variation on such troping, however, these moments cannot simply be passed over, for the texts make a claim to their own authority and work toward their own self-sufficiency with these very narrative gestures. 41 But how the unchosen topics of various medieval narrators “appear” varies greatly.
Because the texts to be discussed have long critical histories, my chapters will trace the path of such reading practices and read out from them as well. This reading out analyzes as well as summarizes these critical histories as they effectively remember and misremember their texts. According to Freud, the unconscious is formed by repression: a ground of forgetting. One cannot simply “say” what has retreated there; the retreat itself can be traced, however, and it is this movement that psychoanalysis (and my deployment of it) seeks to uncover.
Absent narratives, manuscript textuality, and literary structure in late medieval England by Elizabeth Scala